Friday, 26 November 2010

Tim Bevan

Tim Bevan, CBE (born 1958) is a film producer.[1]
Bevan was born in Queenstown, New Zealand. He co-founded Working Title Films in London with Sarah Radclyffe in the 1980s.[1] (Eric Fellner now partners Tim Bevan at Working Title Films). Among Bevan's more than 40 films as producer or executive producer are Moonlight and Valentino, Fargo, O Brother, Where Art Thou?, Captain Corelli's Mandolin, Love Actually, Notting Hill, Elizabeth, Bridget Jones's Diary, Atonement, and Frost/Nixon.
Working Title Films signed a deal with Universal Studios in 1999 for a reported $600 (USD) million, which gave Bevan and Fellner the power to commission projects with a budget of up to $35 (USD) million without having to consult their paymasters.
Bevan is divorced from English actress Joely Richardson; the two have a daughter, Daisy, born in 1992. He is married to Amy Gadney, they have a daughter Nell, born 2001 and a son Jago, born 2003.
Bevan is the co-producer of the West End musical Billy Elliot.

The Soloist Production Notes

·         Yet as inspirational as both Ayers and Lopez might be at times, Grant was also insistent on staying away from the urge towards fairy-tale sentimentality in the story. Rather, she wanted to reveal the truth of their challenges as people. “It was important to honor the fact that a significant friendship isn’t going to cure an illness like schizophrenia and that it is always going to be an ongoing struggle for Nathaniel,” she explains. “Most of all, I wanted to pay homage to the humanity of these characters.”
·         Wright worked with the homeless extras using an organic process and an almost documentary approach. To keep these diverse extras comfortable and relaxed in the strange world of moviemaking, Wright tried to maintain a very human atmosphere by keeping the crew’s footprint to a minimum so the set was spare with very little in the way of lighting or equipment.
·         For Foxx, the simple poetry of Wright’s approach was key to the film. “The way Joe uses the camera captures everything the movie is about,” says the actor. “He always contrasts the darkness with beauty and light.”
·         Wright wanted to capture the vibrant kinetic energy of this part of the city where sky and building and graffiti all flow into and through one another, creating a mix of human and natural rhythms.

Thursday, 18 November 2010

Let the Right One In

Let the Right One In, also known as Let Me In, is a 2004 vampire fiction novel by Swedish writer John Ajvide Lindqvist. The story centers on the relationship between a 12-year-old boy, Oskar, and a centuries-old vampire child, Eli. It takes place in Blackeberg, a working class suburb of Stockholm, in the early 1980s.

The book was a bestseller in the author's home country of Sweden and was translated into Danish, German, Dutch, Russian, English and Chinese in 2007 and Finnish in 2008. It has also been translated into Italian, Spanish, Polish, Lithuanian, and Norwegian. In 2008, the Swedish film Let the Right One In was released, and it is based on the novel. The film was praised by both critics and fans alike, and was a huge success.
In the film, ‘Let the Right One In’, music is used very effectively. Slow, scary and spine-chilling is one of the factors the music brings to the film and audience. Also the music creates a tense atmosphere – you don’t know what’s going to happen next.

Camera work, like sound, is used again, very well. The cameras main focus is on the two main characters of the movie Oskar and Eli. Both of these characters are children and therefore I think this is why the camera is sometimes slightly blurred and from a long shot. The director is trying to create idea that it is from a childs perspective. This perspective being that a child may not understand the happenings in the film so they have a blurred vision and the long shot makes them seem distant and makes it show that children do not really pay much attention to their surroundings and what is happening.
                                                            
The main characters in the film, Eli and Oskar have many similaries but many differences too. These differences include Eli being a female and a vampire. Her appearance is quite different to Oskars too because she has black hair and Oskar’s hair is very blonde, almost white. Similarities include both children being outsiders, Oskar gets bullied at school and we never see him with anybody that could be his friend. This relates to Eli, you never see her with anyone that could be her friend.

Facial Expressions


Looks:

Marjorie Ferguson

Chocolate Box: half or full-smile, lips together or slightly parted, teeth barely visible, full or three-quarter face to camera. Projected mood: blandly pleasing, warm bath warmth, where uniformity of features in their smooth perfection is devoid of uniqueness or of individuality.
Invitational: emphasis on the eyes, mouth shut or with only a hint of a smile, head to one side or looking back to camera. Projected mood: suggestive of mischief or mystery, the hint of contact potential rather than sexual promise, the cover equivalent of advertising’s soft sell.
Super-smiler: full face, wide open toothy smile, head thrust forward or chin thrown back, hair often wind-blown. Projected mood: aggressive, ‘look-at-me’ demanding, the hard sell, ‘big come-on’ approach.
Romantic or Sexual: a fourth and more general classification devised to include male and female ‘two-somes’; or the dreamy, heavy-lidded, unsmiling big-heads, or the overtly sensual or sexual. Projected moods: possible ‘available’ and definitely ‘available’.

Trevor Millum

Seductive: similar to the cool/level look in many respects - the eyes are less wide, perhaps shaded, the expression is less reserved but still self-sufficient and confident; milder versions may include a slight smile.
Carefree: nymphlike, active, healthy, gay, vibrant, outdoor girl; long unrestrained outward-flowing hair, more outward-going than the above, often smiling or grinning.
Practical: concentrating, engaged on the business in hand, mouth closed, eyes object-directed, sometimes a slight frown; hair often short or tied back.
Comic: deliberately ridiculous, exaggerated, acting the fool, pulling faces for the benefit of a real or imaginary audience, sometimes close to a sort of archness.
Catalogue: a neutral look as of a dummy, artificial, waxlike; features may be in any position, but most likely to be with eyes open wide and a smile, but the look remains vacant and empty; personality has been removed.

Thursday, 28 October 2010

Calvin Klein Advertisements


  • Confident Pose
  • Looking Straight At Camera
  • Tanned
  • Muscular
  • Pouting
  • Shimmering Lips
  • Scary Look
  • Fenimine
  • Has Tattoo
  • Holding Down One Side Of Boxers - Seductive?
  • Sweaty
  • Tanned Abs
  • Shiny Or Greasy Body
  • Been To The Gym?
  • Showered?
  • Rough, Mascline Skinhead
  • Necklace Is Gay?
  • Necklace Makes Him Less Naked?
  • High Defined Cheekbones
  • Manly Stubble
  • Attractive To Women
  • Tanline
  • Shaved - Feminine? Like A Boy?
  • Fake Tan - Unmanly?
  • Red Background - Lust, Hot, Heat, Blood, Dangerous
  • Bar Prop To Show Off Muscles


  • Parted Lips
  • Sexy
  • Messy, Wet Hair -Sex?
  • Sweaty - Sex?
  • Oily, Wet Body
  • Really Long Legs
  • Attractive
  • Ready?
  • Stance Is Incontrol, But Vunerable
  • Sexual
  • Closed Eyes
  • Gritted Teeth
  • Orgasm Face
  • Does Not Care About People Viewing And Judgeing
  • In Pain?
  • Confident

Notes on Paul Blogs

  • There would be the same humour used as in other films containing Simon Pegg
  • Mainly Simon Pegg fans will watch these blogs
  • Also fans of Working Title Productions
  • The blogs would be used as extras on the DVD and bonus features - this is an incentive to buyers
  • They document the production of the film
  • The main actors will be featured in these blogs
  • They incluede behind the scenes cast and crew - this makes them have a connection with the audience
  • When making these blogs they will have to be concious of spoiling the plot but tell the viewers what the film is about
  • There is audience partisipation because you can write reviews and questions that the cast answer
  • The blog is a teaser to make you want to watch the film

Shameless - Representation (Sexuality and Regional Identity)

There are many different ways how sexuality and regional identity are represented in the opening of Shameless, series one, episode one. Areas include stereotypes, mise on scene, music and camera work.

Firstly, the stereotypes of a gay man would be: camp, feminine, wear make-up, 'cissies', high pitched voice, over the top, drama queens, dress well (for example Gok Wan), cry alot, clean and wear fake tan. However, in the first part of Shameless we learn that the character Ian is gay and Ian does not have any of stereotypical features of a gay man.

Stereotypes of people from 'up North' include: poor, 'common', rough,working class, hooligans, uneducated, strong accent, drunken and use drug. Unlike the gay stereotypes the stereotypes of people from 'up North' are more true to Shameless. For example, Frank Gallagar gets brought in by the police drunk and because of his drunkness he hass wet himself. Another example is that when Fiona and her friend are not allowed back into the club they both swear at the security guard, and this can be portrayed as common.

Thursday, 14 October 2010

Rushmore - Representation Of Max Fischer


Rushmore was created in 1998 and is directed by Wes Anderson. Anderson has directed many other films including Bottle Rocket, The Royal Tenenbouns, The Darjeeling Limited, The Life Aquatic With Steve Zissou and Fantastic Mr Fox. Wes Anderson is also considered to be an auteur (loosely means author). He has recognisably visible styles that are apparent across most of his films.

Max Fischer, played by Jason Schwartzman, is the lead actor in the film Rushmore. I would say he is not the stereotypical teenager at all, and in the following blog post I am going to explain to you why I think this.

Firstly, Fischer wears his blazer in almost every scene in the montage sequence. As a teenager myself I would not choose to wear a blazer to school and in the scenes you can see that other pupils of Rushmore do not wear blazers so it is not a required part of the uniform, Fischer chooses to wear the blazer himself. But, Fischer wearing his school uniform could realte to him being in poverty meaning that he cannot afford new clothes. As well, Fischer wears glasses and braces, things that many teens do not want to be seen in!

Although everybody has different personalitys Fischer's personality does not really relate to a stereotypical teenagers personality. For example, he has many interest, multicultural, hardworking and seemingly he doesn't try to socialise. However, like a most teenagers Fischer trys hard to fit in, but doe this mean he is attention seeking?

Fischer also takes part in many different activities and clubs at Rushmore school inclueding being the editor-en-cheif, a publisher, attends French club, leader of Russia in the model United Nations, collects stamps and coins, calligraphy club, astromony society, helps out with the lactross team, fencing captain, track and field J.V decatholon, 2nd chorale choir master, kung-fu, bee keeper, yankee racers founder, prayer director, piper cub club and he does clay pigieon shooting. In all of theses activity Fischer wears his school uniform at all times and even when he is doing his bee keeper job which is very stupid seeming as he can get stung. Also in most of the activities we can see his younger friend with him all of the time, is this his only friend? Furthermore, in activitys inclueding 2nd chral choir master and Rssian leader for the model United Nations Fischer is again with younger people, but why is that? Of course, this is not stereotypical at all for a teenager to do all of these activities especially collecting stamps and coins.

Before the montage scene on the front cover of the year book there are bees. This could relate to Fischer being a busy bee, bees are very important and Fischer wants to be just that and finally there is the saying 'bees knees' which means of excelent, and high quality - again, does Max Fischer want to be like that?

Whilst the the montage sequence is playing in the film there is background music which is called 'Making Time' and is by a band called 'The Creation'. The last line of the song says 'pulling the wool, acting the fool'. I think this relates to the saying pulling the wool over your eyes so this could link in with Fischer taking part in many clubs which supposidly means that he should be a good student, but he is not.

Monday, 11 October 2010

Compare How Hot Fuzz and This Is England Appeal To a British Audience


The Queen, cups of tea, Winston Churchill, these are all things that people relate with Great Britain but how do the films Hot Fuzz and This is England similarly appeal to a British Audience? In this article I will tell you how…

The Directors of This is England and Hot Fuzz play a huge role in how a British audience is drawn in to watch their films. Edgar Wright, director of Hot Fuzz, has directed various well known British films and series's. One of Wrights most famous is the horror spoof Shaun of the Dead that has a cast made up of Simon Pegg, Nick Frost and various other stock actors. Pegg and Frost also play the lead roles in Hot Fuzz. This would help attract a British audience because Shaun of the Dead was very successful so the audience would believe that Wrights new film will be just as good as his older ones. On the other hand, Shane Meadows, director of This is England, incorporated his life into the film and many of the scenes in This is England relate back to Meadows childhood experiences. For that reason the film now is associated to a British audience more than it does with other countries so therefore helping Britain to be the target audience.

Meadows and Wright mutually use their own experiences in there film but Wright uses his own judgements based on his personality and childhood dreams so he thinks of himself as the target audiences whereas Meadows production contains social realism as the story is based on Meadows real life childhood experiences of the 80s.

Hot Fuzz uses a lot of stock actors who are also noticeable British actors including: Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Bill Nighy, Steve Coogan and many more. By using these actors this means that Hot Fuzz will appeal more to a British audience than other countries because the actors are not as well known in the other countries. In contrast, This is England, at the time of filming, used a complete cast of unknown actors and even the main character Shaun, played by Thomas Turgoose, had not had any acting experience before he took part in the film. Meadows did this in order for the audience to focus more on the British stereotypes rather than the people themselves as it would be much more realistic if the audience has not heard of the actors before hand. Of course this appeals to a British audience and/or an audience interested in the British culture.

Hot Fuzz is set in two main different locations one being London and the other Sandford, Gloucestershire. London is the capital of England, and there are a lot of scenery in London that is very representative of the British audience in general. Sandford, although being a fictional village, is very well represented at the classic British countryside and it has an atmosphere, like London, that would draw in a British audience. The film This is England is set Nottinghamshire, Northern England during 1983 and I think the choice of not giving a specific name to the location in the film is up to Meadows and the writers. By not giving a location it makes the film more about the whole of England rather than just a exact part. By doing this the film can now contain multiple British stereotypes in order to target various British viewers.

Stereotypes play a big role in both of the films. Hot Fuzz takes the stereotypes of policemen and youths and then links them into the stereotypical city and countryside. For example the metropolitan police are portrayed as hardworking, good at their action packed job and then the Sandford police that are lazy, and bad at their job because they consume alcohol whilst they are on duty and let people of crimes. The youths that are seen in Hot Fuzz are represented as violent and up to no good. Linking to This is England, the main stereotypes are the skinheads which links into the story of how Shaun grew up and got into a skinhead gang. Focusing on stereotypes that relate to Britain makes This is England target a British Audience.

Both films contain humour in Hot Fuzz there are various different techniques to create humorous situations such as the contrast in different characters and slapstick comedy. Slapstick comedy is often seen in British comedies or sketches. By doing this the film tries to target a British audience as they would understand slapstick comedy more and therefore will find it funnier. Stereotypes also link into the humour aspect of Hot Fuzz for example it is funny how different the London police and Gloucestershire police are and also many people would stereotype the police and other characters in the film in a similar way. On the other hand, This is England incorporates humour in more of a ‘childish’ form than Hot Fuzz most likely the film is mainly about the life of a twelve year old school boy so in This is England there are jokes and parts of comedy that Shaun find funny – the humour is built within the film.  Also in the film you can see that the older members of the skinhead group use some slapstick comedy (for example, when the skinheads hide from Gadget and scare him), like Hot Fuzz, so yet again this humour relates to British roots and attracts a British audience.

Camera work and editing is used extremely well in both of the films. Hot Fuzz’s camera work includes fast paced editing similar to the fast paced editing seen in action films including Bad Boys II.  Although in Hot Fuzz it is not just action in these high speed edits there are parts of humour in there too. There are also close ups of the actors faces which adds to both the humour and drama of their facial expressions. This could link in with a British audience by saying that there are a lot of British comedians that use there facial expressions to created humour between the audience and themselves. For example, Peter Kay and Lee Evans. Both of the films contain montages Hot Fuzz’s montage being used to pass time in the film, the montage is used when Sergeant Angel moving to Sandford countryside. However, in This is England the montage is used to set the scene as the montage is used at the very beginning and it shows various 80s British stereotypes including Roland Rat, Margret Thatcher and the demolition of houses. Again there is another connection between the camera work used in This is England and Hot Fuzz: there are also close ups used in Meadows film. Similarly because the camera is close up to the characters face this adds dramatic effect and humour at times linking to the audiences feelings and letting them connect more to the characters feelings which is consequently easier for people of the same background to relate to, the British.

There are various different parts of iconography within Hot Fuzz that help the film appeal to a British audience. There are various different iconic features including the British police uniforms, Big Ben, red buses and many other features that are associated with Britain. Also we see Angel (Pegg) travelling on the underground which we obviously associate with London and Britain.  Moreover, This is England also has various symbols that help influence a British audience to watch the film. For example the montage, that I have talked about before, used many different iconic British figures within. The montage is very influential on connecting to a British audience because people that were alive during the 80s can relate back to the experiences they had.

To conclude, both Hot Fuzz and This is England use various and excellent ways to appeal to a British target market but they do it in different ways. Where as the high budget Hot Fuzz mainly focuses of the humour aspect of the film This is England is more like a documentary about what the 1980s was like and because Meadows based This is England on his childhood experience is makes the film feel more real and therefore the audience connect more with the film. The unknown actors also help this because it gets the audience to focus more on the stereotypes of the characters more than actors themselves. Although the story lines are different in both of the films and there are different elements in both films the two help to appeal to a British audience mainly because of the aspect revolving around British history so many people that are intrigued about Britain would love to watch either of the films.

Sunday, 26 September 2010

Tony Stonem From Skins (Nicholas Holt):

Tony Stonem:


  • Fit (Works Out)
  • Takes Pride In His Appearance
  • Cares About Himself
  • Vain
  • Arrogant (Gets Attention From Women All Ages)
  • Clean
  • Tidy
  • Neat (OCD?)
  • Straight Bedsheets
  • Has A Precise Routine (Work Out, Get Dressed, Let Effy In)
  • Eccentric (Bedsheets)
  • Ambitions (Sexually)
  • Stylish - Plain Unbranded
  • Not A Stereotypical Teenager - Mature/Classy (Film/Book Taste)
  • Pretentious
The Burnham Family:
  • Creatures Of Habit (Have The Same Routine, Same Music)
  • Father And Daughter Used To Be Close
  • Family Photos Show Happier Times Also Shows 'Traditional' Family (Dad In The 'Proper' Place)
  • Lester Has Poor Posture ('Slumped')
  • Red Roses In The Centre Of The Table Infront Of Daughter
  • Blue/White/Red Used
  • Dullness Of Life
  • Bali Hai From South Pacific (Stuck In The Past, Old Fashioned)
  • Mum = Controlling
  • Music Adds Emphaisis
  • Dining Hall Longshot/Establishing Shot
  • Camera Slowly Zooms In - We're Spying On Them
  • Parents Far Away From Eachother, Daughter In The Middle
  • Daughter In The Light, Parents Shaddowing
  • Stalker = Creep, Frustrated, Angry

Hot Fuzz and This Is England Comparison Table

Hot Fuzz and This is England Comparison Table

Warp Films and Shane Meadows

Warp Films:

Warp Films is a sister company of Warp Records. The company was set up in 1999 because of funding from NESTA (The National Endowment for Science Technology and the Arts). It is based in Shefield, England with a further office in London and has 14 full-time staff members.


Realeases:
  • My Wrongs 8245-8249 & 117
  • Dead Man's Shoes
  • Rubber Johnny
  • Scummy Man
  • This Is England
  • Grow Your Own
  • Dog Altogether
  • At The Apollo (Arctic Monkeys)
  • Le Donk & Scor-Zay-Zee
  • Four Lions
Shane Meadows:


Shane Meadows (born 26 December 1972) is a British film director, screen writer, occational actor and BAFTA winner.


Shane Meadows Feature Films:
  • Le Donk & Scor-Zay-Zee
  • Somers Town
  • This Is England
  • Dead Man's Shoes
  • Once Upon A Time In The Midlands
  • A Room For Romeo Brass
  • Twenty Four Seven
  • Small Time

Tuesday, 21 September 2010

American Beauty



American Beauty - directed by Sam Mendes


Lester Burnham is one of the main characters in 'American Beauty' and these are my first impressions of him from the short time i watch the start of the film:


  • He Is Lazy
  • Submissive
  • Bored/Fed Up/Disappointed With His Life
  • His Wife and Daughter Are Disappointed With Him
  • He Has Given Up
  • Pessimistic
  • Expresses Regret ('Life Wasn't Always This Way')
  • Fond Of His Daughter, Cares About Her
  • Loser
  • Neutral/Boring Colours Were Used, Like Lester?
  • He Is Trapped
  • Has a Monotone Voice
Ways in which Lester Burnhan is TRAPPED:
  • Behind Bars In The Computer Screen
  • Sits In The Back Of the Car, Prisoner or Childlike?
  • Looks Out Of The Window Behind The Frame
  • Behind The Shower Screen
  • Wears Slippers - Trapped By Wife?
  • Lies In The Shadows Of His Bed
  • Feels Like He Is Only 'Let Out' To Go To Work
  • Bottom Of The Family Hierarchy


Ways COLOUR is used in interesting ways:
  • Red Roses On Daughters Jumper (Motif)
  • Red Roses In Front Garden
  • The Colours Red/White/Blue Are Used A Lot
  • Red/White/Blue = American Flag
  • Boring Colours - Boring Lester Burnham
  • Neutral Background Colours Make Brighter Colours Stand Out


Ways MUSIC adds to the atmosphere of the film:
  • Repetitive
  • Awkward Sounding
  • Uncomfortable
  • The Music Fits The Visuals
Link to 'American Beauty Part 1'

Monday, 13 September 2010

Don't Judge a Book By It's Cover!





After looking at the image of this man my first impressions of him were:
  • Scruffy
  • Trampy
  • Homeless
  • Poor
  • No Pride In Appearance
  • Smelly!
But infact, if you look closer at the image you can see that the man has:
  • Clean Shoes
  • Clean Clothes
  • The Clothes Fit Him Perfectly
  • Although He Is Smoking, It Does Not Show This On His Fingers
  • Patches On Trousers Are In An Ordially Fashion
This man is actually deemed as fashionable, so he therefore takes pride in his appearance as he works for the New York Ralph Lauren, this photo was infact taken outside the Ralph Lauren building (NYC)!